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EBMM John Petrucci 8 String Majesty
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Originally posted by Chris View Post
Show me a good example that wouldn't be better on a 7 or a 6 and isn't just a bunch of mindless off-time F# chugging like every Meshuggah song. I'll wait.
It's still sort of in that djent camp, but it's melodic at least resembles a song rather than an exercise in mindless shred.
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Originally posted by Chris View Post
Show me a good example that wouldn't be better on a 7 or a 6 and isn't just a bunch of mindless off-time F# chugging like every Meshuggah song. I'll wait.
Aside from Meshuggah and the Doom (2016) & Doom Eternal soundtrack.
It's very few and far between. Which is why I'm having such a rather difficult time coming up with 8 String songs for my band that don't sound like they've already been done.
I may have to convince them to playing in B Standard on a 7 again.
Though, Chimp Spanner's "Bad Code" was tough and Rusty Cooley's song in his band "Outworld," "The Never" was a killer track but he was using a High A instead.
I just think it's cool that when John Petrucci told me about the 8 String when I asked him years ago, it looks exactly as he said.
Curious to see if he'll do a low F# or a High A.
The guitar looks kind of wacky and there is no way I'd pay 5k for it either if they end up being that much.
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Originally posted by Ghost. View Postthe Doom (2016) & Doom Eternal soundtrack.
To Chris's point though, those two OSTs make up like 99% of the good 8 string songs I can think of off the top of my head.Allegaeon had some cool ones on their second album, which is when they started using 8s.
The other guitarist in my old band got an 8 at one point and startws incorporating it into our stuff, but it was mostly playibg big beefy chords or low trem picked stuff to add low end to other parts iirc.Last edited by Hulk Krogan; 09-14-2021, 02:10 PM.
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Originally posted by Ghost. View Post
I just think it's cool that when John Petrucci told me about the 8 String when I asked him years ago, it looks exactly as he said.
Curious to see if he'll do a low F# or a High A.
I'm sure this is just to get into the djent market. Petrucci doesn't even play his sevens that much anymore, AFAIK.
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Originally posted by jacksonplayer View Post
It doesn't look like that scale length would work for B to high A. You'd want a fan from, say, 26.5 down to about 24 or even shorter to make the high A viable. On my 25.5" KxK 7, I was only able to go up to a high F# using a .007 string. I could tune up to G with it, but the tone and playability were terrible. A 24" scale length at the top would probably allow for a high A, though.
I'm sure this is just to get into the djent market. Petrucci doesn't even play his sevens that much anymore, AFAIK.Provided to YouTube by Sony Music EntertainmentRoom 137 · Dream TheaterDistance Over Time℗ 2019 Ytse Jams, Inc., under exclusive license to InsideOutMusicRel...
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The issue with the 8-string is that low F# (or lower) absolutely cannot be played with chords because it's got such a massive waveform all on its own it just gobbles up any other notes you play at the same time, plus the sustain is so different between it and everything else, it sounds like it jumps in and out of phase.
That's the reason why you hear it in djent almost exclusively, because you're only ever going to use it open and by itself, plus you often have to mute it so it doesn't just drone over everything you play after. So in practice, it works better as a percussive instrument than a melodic instrument.
Still has it's use though. Can't say "show me an 8 string song that doesn't sound like Meshuggah" when the reverse is also true, you're not gonna play a Meshuggah song on a 25.5" scale 6-string guitar. If you want *that* sound, you're using a baritone or an 8.
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Originally posted by Ghost. View Post
YES SIR!
I wish I was better at the game.
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